A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 53
... emotion by the standard of resultant action . Art appreciates emotion in and for itself . This view of the essential importance in art of the ex- pression of the emotions is the basis of Tolstoy's marvel- lously original and yet ...
... emotion by the standard of resultant action . Art appreciates emotion in and for itself . This view of the essential importance in art of the ex- pression of the emotions is the basis of Tolstoy's marvel- lously original and yet ...
Pagina 70
... emotions in it . By the same token , emotions are attached to events and objects in their movement . They are not , save in patho- logical instances , private . And even an " objectless " emo- tion demands something beyond itself to ...
... emotions in it . By the same token , emotions are attached to events and objects in their movement . They are not , save in patho- logical instances , private . And even an " objectless " emo- tion demands something beyond itself to ...
Pagina 325
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words