A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 34
... empathy " we mean a mode of esthetic perception in which the spectator discovers elements of feeling in the work of ... empathy I have ever discovered is given by Eduard Spranger in Types of Men ( trans . Pigors , Halle , 1928 ) , pp ...
... empathy " we mean a mode of esthetic perception in which the spectator discovers elements of feeling in the work of ... empathy I have ever discovered is given by Eduard Spranger in Types of Men ( trans . Pigors , Halle , 1928 ) , pp ...
Pagina 452
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction.5 The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the significance ...
... empathy and which seeks to suppress just that in which the need of empathy finds its satisfaction.5 The tendency to abstraction appears to us as the polar opposite of the need of empathy . To analyze it and to establish the significance ...
Pagina 464
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb “ sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb “ sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words