A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 321
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
... esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every one sometimes uses ... esthetic and the non- esthetic use ; but when we speak of a beautiful woman there is . When an ordinary man speaks of a ...
Pagina 498
... esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact that if , when a feeling has been obtained through esthetic contemplation , the ...
... esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact that if , when a feeling has been obtained through esthetic contemplation , the ...
Pagina 508
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all evidence according to the contextualistic world hypothesis . Its success in the esthetic field contributes to the ...
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all evidence according to the contextualistic world hypothesis . Its success in the esthetic field contributes to the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words