A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 127
... Esthetic Education of Man , the source of both play and art is overflowing energy . Even when a lion , for example , is not hungry or mad , it playfully expends its surplus energy through roaring . Similarly 127 CHAPTER III Desire and ...
... Esthetic Education of Man , the source of both play and art is overflowing energy . Even when a lion , for example , is not hungry or mad , it playfully expends its surplus energy through roaring . Similarly 127 CHAPTER III Desire and ...
Pagina 565
... training must , of course , have the width requisite for its end . But its design should not be complicated by the con- sideration of other ends . This professional training can only touch one side of education . Its center of gravity ...
... training must , of course , have the width requisite for its end . But its design should not be complicated by the con- sideration of other ends . This professional training can only touch one side of education . Its center of gravity ...
Pagina 566
... esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehension . According to the ...
... esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehension . According to the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words