A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 321
... esthetic emotion " Beauty , " it would be misleading to call by the same name the quality that does . To make " beauty " the object of the esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every ...
... esthetic emotion " Beauty , " it would be misleading to call by the same name the quality that does . To make " beauty " the object of the esthetic emotion , we must give to the word an over - strict and unfamiliar definition . Every ...
Pagina 325
... esthetic emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of ...
... esthetic emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of ...
Pagina 327
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words