A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 42
... esthetic object . " There is a growing sense , " he then wrote , " that here , if anywhere , we may find that bedrock upon which the whole superstructure of esthetic experience -of appreciation as well as artistic production ...
... esthetic object . " There is a growing sense , " he then wrote , " that here , if anywhere , we may find that bedrock upon which the whole superstructure of esthetic experience -of appreciation as well as artistic production ...
Pagina 86
... experience , in its pregnant sense , and esthetic experience . The former has esthetic quality ; otherwise its materials would not be rounded out into a single coherent experience . It is not possible to divide in a vital experience the ...
... experience , in its pregnant sense , and esthetic experience . The former has esthetic quality ; otherwise its materials would not be rounded out into a single coherent experience . It is not possible to divide in a vital experience the ...
Pagina 87
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experience is an integrated complete experience ...
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experience is an integrated complete experience ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words