A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xiv
... estheticians , ancient and modern , to illustrate the recogni- tion in all ages that art is the expression of mood , feeling , or spirit . That art is expressive rather than merely de- scriptive is as well established as any fact in the ...
... estheticians , ancient and modern , to illustrate the recogni- tion in all ages that art is the expression of mood , feeling , or spirit . That art is expressive rather than merely de- scriptive is as well established as any fact in the ...
Pagina 225
... estheticians . If the masters of painting and sculpture would do it also and abandon their fixation on beauty either of form or of content as the sole thing that was worth their while , they could make of their galleries macrocosms of ...
... estheticians . If the masters of painting and sculpture would do it also and abandon their fixation on beauty either of form or of content as the sole thing that was worth their while , they could make of their galleries macrocosms of ...
Pagina 305
... estheticians from Plato to Dewey . It is an intelligible interpretation of the doctrine of " imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal ...
... estheticians from Plato to Dewey . It is an intelligible interpretation of the doctrine of " imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words