A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina xiv
... example , emphasizes the intellect ; Santayana , pleasure ; Croce and Bergson , intuition ; Freud , desire and the un- conscious ; Tolstoy , emotion ; and Bosanquet and Dewey , the mind as an organic whole . But even here it is possible ...
... example , emphasizes the intellect ; Santayana , pleasure ; Croce and Bergson , intuition ; Freud , desire and the un- conscious ; Tolstoy , emotion ; and Bosanquet and Dewey , the mind as an organic whole . But even here it is possible ...
Pagina 27
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
Pagina 271
... example , describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory nothing could ...
... example , describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory nothing could ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words