A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 59
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
Pagina 411
... existence of the body , especially to sexual matters , lies normally below the Distance - limit , and can be touched upon by Art only with special precautions . Allusions to social institutions of any degree of personal importance - in ...
... existence of the body , especially to sexual matters , lies normally below the Distance - limit , and can be touched upon by Art only with special precautions . Allusions to social institutions of any degree of personal importance - in ...
Pagina 458
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words