A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 62
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
Pagina 73
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
Pagina 280
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words