A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 158
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
... external reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the ... external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction ...
Pagina 172
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
... external reality . The manifest content is symbolic of a certain piece of external reality - be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in ...
Pagina 174
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words