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Pagina 158
away not from the immediate environment of the reader but from the environment ( or external reality ) depicted in the poem . Hence poetry in its use of language continually distorts and denies the structure of reality to exalt the ...
away not from the immediate environment of the reader but from the environment ( or external reality ) depicted in the poem . Hence poetry in its use of language continually distorts and denies the structure of reality to exalt the ...
Pagina 172
The answer is , because poetry is an adaptation to external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality ...
The answer is , because poetry is an adaptation to external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality ...
Pagina 174
It is impossible to have affects in poetry without their adherence to symbols of external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for different subjects to be linked except by a ...
It is impossible to have affects in poetry without their adherence to symbols of external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for different subjects to be linked except by a ...
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Sommario
Reality and Imagination | 3 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole