Dall'interno del libro
Risultati 1-3 di 59
Pagina 158
away not from the immediate environment of the reader but from the environment
( or external reality ) depicted in the poem . Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
away not from the immediate environment of the reader but from the environment
( or external reality ) depicted in the poem . Hence poetry in its use of language
continually distorts and denies the structure of reality to exalt the structure of the ...
Pagina 172
The answer is , because poetry is an adaptation to external reality . It is an
emotional attitude towards the world . It is made of language and language was
created to signify otherness , to indicate portions of objective reality shared
socially .
The answer is , because poetry is an adaptation to external reality . It is an
emotional attitude towards the world . It is made of language and language was
created to signify otherness , to indicate portions of objective reality shared
socially .
Pagina 174
It is impossible to have affects in poetry without their adherence to symbols of
external reality , for poetry ' s affects ( in so far as they are poetic ) are social , and
it is impossible for different subjects to be linked except by a common object ( by
...
It is impossible to have affects in poetry without their adherence to symbols of
external reality , for poetry ' s affects ( in so far as they are poetic ) are social , and
it is impossible for different subjects to be linked except by a common object ( by
...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |