A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 158
... world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations , derived from the world of external reality , by means of inversion and ...
... world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations , derived from the world of external reality , by means of inversion and ...
Pagina 172
... external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality shared socially . It lives in the same language as ...
... external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality shared socially . It lives in the same language as ...
Pagina 174
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words