A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina xiv
... fact in the whole field of esthetics . 5 Of course , there is some disagreement about what side or aspect of the ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
... fact in the whole field of esthetics . 5 Of course , there is some disagreement about what side or aspect of the ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
Pagina 95
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
Pagina 109
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words