A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 482
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
... feeling . It may quite properly be insisted , however , that success of that sort is something which is of interest to no one but himself , or , possibly , his mother or his wife . Conscious objectification of feeling , as defined by ...
Pagina 483
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
... feeling need become different through the process of objectification . Indeed , the qualitative identity of the feeling before and after ob- jectification is an absolute prerequisite , if one is to be able to say that it is that feeling ...
Pagina 484
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
... feeling which this now objecti- fies is truly a part of myself . " But when the critic on this basis , is some one else than the artist , that critic is then not trying to objectify his feeling himself , nor therefore is he called upon ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words