A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 165
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
Pagina 178
... genotype's instincts , but since the instinctive genotype is nothing but an un- conscious and dynamic desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art ...
... genotype's instincts , but since the instinctive genotype is nothing but an un- conscious and dynamic desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art ...
Pagina 179
... genotype we see is the genotype stamped with all the possibilities and grandeur of mankind- an elaboration which in its turn is extracted by society from the rest of reality . Art gives us so many glimpses of the inner heart of life ...
... genotype we see is the genotype stamped with all the possibilities and grandeur of mankind- an elaboration which in its turn is extracted by society from the rest of reality . Art gives us so many glimpses of the inner heart of life ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words