A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 134
... give something up , all we really do is to adopt a substitute . So when the human being grows up and ceases to play he only gives up the connection with real objects ; instead of playing he then begins to create phantasy . He builds ...
... give something up , all we really do is to adopt a substitute . So when the human being grows up and ceases to play he only gives up the connection with real objects ; instead of playing he then begins to create phantasy . He builds ...
Pagina 299
... give us what science gives , so science cannot give us what they give . If a conflict which should never have arisen extends much further , a moral chaos such as man has never experi- enced may be expected . Our protection , as Matthew ...
... give us what science gives , so science cannot give us what they give . If a conflict which should never have arisen extends much further , a moral chaos such as man has never experi- enced may be expected . Our protection , as Matthew ...
Pagina 394
... give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
... give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words