A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 371
... given them by the painter and the personages represented in their dramatic relationships , since these also enter into the total structure put there by the artist . Change a shape , substitute in Tintoretto's " Miracle of the Slave " or ...
... given them by the painter and the personages represented in their dramatic relationships , since these also enter into the total structure put there by the artist . Change a shape , substitute in Tintoretto's " Miracle of the Slave " or ...
Pagina 490
... given object beautiful or the reverse . All that was said above concerning esthetic connoisseur- ship , i.e. , concerning superior capacity for experiencing difference in esthetic feeling in the presence of slight dif- ferences in the ...
... given object beautiful or the reverse . All that was said above concerning esthetic connoisseur- ship , i.e. , concerning superior capacity for experiencing difference in esthetic feeling in the presence of slight dif- ferences in the ...
Pagina 494
... given rule predicts this accurately for a given person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule ...
... given rule predicts this accurately for a given person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words