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Pagina 371
To reproduce the design of a picture by Tintoretto , one would have to copy the shapes and lines and colors in the various patterns given them by the painter and the personages represented in their dramatic relationships , since these ...
To reproduce the design of a picture by Tintoretto , one would have to copy the shapes and lines and colors in the various patterns given them by the painter and the personages represented in their dramatic relationships , since these ...
Pagina 490
... as fully as possible , the data to which the matter in question is relative ; and this is what one does in the case of beauty when one indicates just who it happens to be , that judges the given object beautiful or the reverse .
... as fully as possible , the data to which the matter in question is relative ; and this is what one does in the case of beauty when one indicates just who it happens to be , that judges the given object beautiful or the reverse .
Pagina 494
Therefore it cannot be too much emphasized here that a given picture is not ugly because the composition of it , or the color combinations in it , are against the rules ; but that the rule against a given type of composition or of color ...
Therefore it cannot be too much emphasized here that a given picture is not ugly because the composition of it , or the color combinations in it , are against the rules ; but that the rule against a given type of composition or of color ...
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Sommario
Reality and Imagination | 3 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole