A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 80
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 457
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
Pagina 541
... hand and energy of mind in our workmen , and to produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so ...
... hand and energy of mind in our workmen , and to produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words