A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 471
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
Pagina 473
... historical orientation no critic , however artistically sensitive , can escape critical " sentimentality , " that is ... historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is ...
... historical orientation no critic , however artistically sensitive , can escape critical " sentimentality , " that is ... historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is ...
Pagina 474
... historical evidence and fresh re - creative discovery . This normative compulsion is not only inescapable ; it is essential to profitable historical inquiry and to fruitful artistic re - creation . For historical investigations which ...
... historical evidence and fresh re - creative discovery . This normative compulsion is not only inescapable ; it is essential to profitable historical inquiry and to fruitful artistic re - creation . For historical investigations which ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words