A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina xxxv
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
Pagina 302
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
Pagina 439
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words