A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 65
... ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically dis- tinguished , of a developing underlying quality ; they are its moving ...
... ideas , but the ideas form a train only because they are much more than what an analytic psychology calls ideas . They are phases , emotionally and practically dis- tinguished , of a developing underlying quality ; they are its moving ...
Pagina 171
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and con- centrated on in the same ...
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and con- centrated on in the same ...
Pagina 219
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words