A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 41
... images and the meta- phor suggests that there is a hidden depth from which the images emerge a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
... images and the meta- phor suggests that there is a hidden depth from which the images emerge a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
Pagina 103
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
Pagina 104
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words