A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 237
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
... imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life , as the outcome and expression of his ...
Pagina 337
... imagination ; while the other offers something which satisfies imagination but has not full " reality . " They are parallel developments which no- where meet , or , if I may use loosely a word which will be serviceable later , they are ...
... imagination ; while the other offers something which satisfies imagination but has not full " reality . " They are parallel developments which no- where meet , or , if I may use loosely a word which will be serviceable later , they are ...
Pagina 576
... Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific Monthly , Vol ...
... Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific Monthly , Vol ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words