Dall'interno del libro
Risultati 1-3 di 94
Pagina 237
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
Pagina 337
The two may be called different forms of the same thing : one of them having in
the usual sense ) reality , but seldom fully satisfying imagination ; while the other
offers something which satisfies imagination but has not full “ reality . ” They are ...
The two may be called different forms of the same thing : one of them having in
the usual sense ) reality , but seldom fully satisfying imagination ; while the other
offers something which satisfies imagination but has not full “ reality . ” They are ...
Pagina 576
125 - 151 , 195 - 280 . Dessoir , Max , Aesthetik und allgemeine
Kunstwissenschaft , Stuttgart , 1923 . Downey , June , Creative Imagination ,
London , 1929 . Fry , Roger , Transformations , London , 1926 . - Vision and
Design , London , 1920 .
125 - 151 , 195 - 280 . Dessoir , Max , Aesthetik und allgemeine
Kunstwissenschaft , Stuttgart , 1923 . Downey , June , Creative Imagination ,
London , 1929 . Fry , Roger , Transformations , London , 1926 . - Vision and
Design , London , 1920 .
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole