A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 15
... Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block of ...
... Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block of ...
Pagina 18
... imitation absolutely foreign to art.19 What is required is not that the representation shall con- form exactly to a ... imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests ...
... imitation absolutely foreign to art.19 What is required is not that the representation shall con- form exactly to a ... imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests ...
Pagina 305
... imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ( thus Aristotle speaks of the imitation of what is or what men ...
... imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ( thus Aristotle speaks of the imitation of what is or what men ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words