A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 190
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
Pagina 231
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
Pagina 293
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words