A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 443
... impulse of human empathy , starts from the impulse of human abstraction . Just as the impulse of empathy , as the presupposition of esthetic expe- rience , finds its satisfaction in the beauty of the organic , so the impulse of ...
... impulse of human empathy , starts from the impulse of human abstraction . Just as the impulse of empathy , as the presupposition of esthetic expe- rience , finds its satisfaction in the beauty of the organic , so the impulse of ...
Pagina 498
... impulse , then its value is as usual to be measured in terms of the eventual significance of the impulse . An impulse is a seed of con- duct , and an esthetic feeling is at least a potential seed of impulse ; the terms in which we ...
... impulse , then its value is as usual to be measured in terms of the eventual significance of the impulse . An impulse is a seed of con- duct , and an esthetic feeling is at least a potential seed of impulse ; the terms in which we ...
Pagina 548
... impulse to sing , in so far as the camera does away with the impulse to see , in so far as the automobile does away with the impulse to walk , the machine leads to a lapse of function which is but one step away from paralysis . But 548 ...
... impulse to sing , in so far as the camera does away with the impulse to see , in so far as the automobile does away with the impulse to walk , the machine leads to a lapse of function which is but one step away from paralysis . But 548 ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words