A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 374
... individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of clarification ...
... individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of clarification ...
Pagina 395
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
Pagina 459
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will - less ...
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will - less ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words