A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 45
... instinctive appropriate action . We see a wild bull in a field ; quite without our conscious interference a nervous process goes on , which , unless we interfere forcibly , ends in the appropriate reaction of flight . The nervous mecha ...
... instinctive appropriate action . We see a wild bull in a field ; quite without our conscious interference a nervous process goes on , which , unless we interfere forcibly , ends in the appropriate reaction of flight . The nervous mecha ...
Pagina 164
... instinctively common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in ... instinctive , it is enduring . In it the instincts give one loud cry , a cry which expresses what is common in the ...
... instinctively common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in ... instinctive , it is enduring . In it the instincts give one loud cry , a cry which expresses what is common in the ...
Pagina 170
... instinctive are replaced by apparently arbitrary memory - images , but which really are associated by the affective ties of simple unconscious wishes . They are organized by the appetitive activity of the instinctive and therefore ...
... instinctive are replaced by apparently arbitrary memory - images , but which really are associated by the affective ties of simple unconscious wishes . They are organized by the appetitive activity of the instinctive and therefore ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words