A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina xv
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
Pagina 42
... interests , or remi- niscences splitting the interest in the object or destroying the unity of attention and appreciation . " In the course of his further description of esthetic adaptation , Bullough recognizes its impersonal or rather ...
... interests , or remi- niscences splitting the interest in the object or destroying the unity of attention and appreciation . " In the course of his further description of esthetic adaptation , Bullough recognizes its impersonal or rather ...
Pagina 85
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words