A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 253
... intrinsic properties of all spatial elements lend themselves to structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensu- ously present ...
... intrinsic properties of all spatial elements lend themselves to structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensu- ously present ...
Pagina 255
... intrinsic to sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual con- cretely apparent surfaces for ear and eye we ...
... intrinsic to sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual con- cretely apparent surfaces for ear and eye we ...
Pagina 256
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words