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Pagina 108
Artistic intuition, then, is always lyrical intuition: this latter being a word that is not
present as an adjective or definition of the first, but as a synonym, another of the
synonyms that can be united to the several that I have mentioned already, and ...
Artistic intuition, then, is always lyrical intuition: this latter being a word that is not
present as an adjective or definition of the first, but as a synonym, another of the
synonyms that can be united to the several that I have mentioned already, and ...
Pagina 109
Identity of Intuition and Expression . . . There is a sure method of distinguishing
true intuition, true representation, from that which is inferior to it: the spiritual fact
from the mechanical, passive, natural fact. Every true intuition or representation is
...
Identity of Intuition and Expression . . . There is a sure method of distinguishing
true intuition, true representation, from that which is inferior to it: the spiritual fact
from the mechanical, passive, natural fact. Every true intuition or representation is
...
Pagina 112
... every one to say that the composer had added or attached notes to a motive
which was already in the mind of him who is not the composer; as if Beethoven's
Ninth Symphony were not his own intuition and his intuition the Ninth Symphony.
... every one to say that the composer had added or attached notes to a motive
which was already in the mind of him who is not the composer; as if Beethoven's
Ninth Symphony were not his own intuition and his intuition the Ninth Symphony.
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |