A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 108
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
Pagina 109
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
Pagina 112
... intuition and his intuition the Ninth Symphony . Now , just as one who is deluded as to the amount of his material wealth is con- futed by arithmetic , which states its exact amount , so he who nourishes delusions as to the wealth of ...
... intuition and his intuition the Ninth Symphony . Now , just as one who is deluded as to the amount of his material wealth is con- futed by arithmetic , which states its exact amount , so he who nourishes delusions as to the wealth of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words