A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 9
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
Pagina 101
... intuitive or sensible knowledge to the conceptual or intelligible , the esthetic to the noetic , it aims at claiming the autonomy of this more simple and elementary form of knowledge , which has been compared to the dream ( the dream ...
... intuitive or sensible knowledge to the conceptual or intelligible , the esthetic to the noetic , it aims at claiming the autonomy of this more simple and elementary form of knowledge , which has been compared to the dream ( the dream ...
Pagina 112
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words