A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 392
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the mind ...
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the mind ...
Pagina 395
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
Pagina 396
... isolation , the perfect rendering of one object has in itself no relation to the rendering of other objects and every one can try the process of isolating again . While a scientific problem once solved is solved for all time , an ...
... isolation , the perfect rendering of one object has in itself no relation to the rendering of other objects and every one can try the process of isolating again . While a scientific problem once solved is solved for all time , an ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words