A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 197
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
Pagina 501
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
Pagina 521
... judgment of a very rich work of art is likely to need supplementation from that of another . For every spectator has his blind spots , and , to reach a complete judgment of a work of art , many men are needed in order to draw out its ...
... judgment of a very rich work of art is likely to need supplementation from that of another . For every spectator has his blind spots , and , to reach a complete judgment of a work of art , many men are needed in order to draw out its ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words