A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 198
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
... judgments of fact for judgments of value , is a sign of a pedantic and borrowed criticism . If we approach a work of art or nature scientifically , for the sake of its historical connections or proper classification , we do not approach ...
Pagina 200
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is only derivative , and ...
Pagina 215
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
... judgments supported by those of others ; we are intolerant , if not of the existence of a nature different from our own , at least of its expression in words and judgments . We are con- firmed or made happy in our doubtful opinions by ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words