A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 13
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 40
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
Pagina 45
... kind of relation with the other arts , and not leave us in the extreme per- plexity engendered by any theory of mere imitation ? For , I suppose , it must be admitted that if imitation is the sole purpose of the graphic arts , it is ...
... kind of relation with the other arts , and not leave us in the extreme per- plexity engendered by any theory of mere imitation ? For , I suppose , it must be admitted that if imitation is the sole purpose of the graphic arts , it is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words