A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina xix
... language of descrip- tions as their instrument , so there is a community of artists engaged in the coöperative search for values , and using the language of appreciations as their instrument . Just as sci- entific discourse is the language ...
... language of descrip- tions as their instrument , so there is a community of artists engaged in the coöperative search for values , and using the language of appreciations as their instrument . Just as sci- entific discourse is the language ...
Pagina xxiv
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
Pagina 587
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words