A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 191
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
Pagina 216
... less learned and less just , we might be more efficient . If our appreciation were less general , it might be more real , and if we trained our imagi- nation into exclusiveness , it might attain to character . The Differentia of ...
... less learned and less just , we might be more efficient . If our appreciation were less general , it might be more real , and if we trained our imagi- nation into exclusiveness , it might attain to character . The Differentia of ...
Pagina 351
... less vivid picture of the outstretched hands and of their remaining outstretched , and a far less poignant sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are ...
... less vivid picture of the outstretched hands and of their remaining outstretched , and a far less poignant sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words