A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 435
... live the scene " he feigns " to live it . Lastly the painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely ...
... live the scene " he feigns " to live it . Lastly the painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely ...
Pagina 439
... live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their aspects as " lived " realities , the painter has broken ...
... live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their aspects as " lived " realities , the painter has broken ...
Pagina 535
... live by labor of the necessity of their supporting the second part of the claim I have made for Labor ; namely , THAT THEIR WORK SHOULD BE OF ITSELF PLEASANT TO DO . If we could but convince them that such a strange revolution in Labor ...
... live by labor of the necessity of their supporting the second part of the claim I have made for Labor ; namely , THAT THEIR WORK SHOULD BE OF ITSELF PLEASANT TO DO . If we could but convince them that such a strange revolution in Labor ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words