A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 39
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
Pagina 47
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
Pagina 461
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words