Dall'interno del libro
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Pagina 39
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art, that the work of art becomes as it were
infectious, and communicates what the artist felt to anyone who looks at it. Such ...
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art, that the work of art becomes as it were
infectious, and communicates what the artist felt to anyone who looks at it. Such ...
Pagina 47
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence. We recognize an acquaintance, and wonder why he looks so
dejected this morning, or become interested in a new fashion in hats— the ...
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence. We recognize an acquaintance, and wonder why he looks so
dejected this morning, or become interested in a new fashion in hats— the ...
Pagina 461
So literal and indisputable a statement of the case, I answer, that it explains,
when we come to examine it, why we should have a thought of rising when we
look at the mountain, since we cannot look at the mountain, nor at a tree, a tower
or ...
So literal and indisputable a statement of the case, I answer, that it explains,
when we come to examine it, why we should have a thought of rising when we
look at the mountain, since we cannot look at the mountain, nor at a tree, a tower
or ...
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |