A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 548
An Anthology Melvin Miller Rader. LEWIS MUMFORD THE ESTHETIC ASSIMILATION OF THE MACHINE . . . In the arts , it is plain that the machine is an instru- ment with manifold and conflicting possibilities . It may be used to counterfeit ...
An Anthology Melvin Miller Rader. LEWIS MUMFORD THE ESTHETIC ASSIMILATION OF THE MACHINE . . . In the arts , it is plain that the machine is an instru- ment with manifold and conflicting possibilities . It may be used to counterfeit ...
Pagina 549
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
Pagina 553
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words