A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 170
... latent content . . . . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent content is affective reality . . . . $ 4 Poetry , like dream , contains manifest and latent contents . The ...
... latent content . . . . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent content is affective reality . . . . $ 4 Poetry , like dream , contains manifest and latent contents . The ...
Pagina 172
... manifest content at all ? Why are not all images suppressed ? Why is not great poetry like the poetry of the extreme symbolists , a mere collection of words , meaning nothing , but words themselves full of affective association ? Why ...
... manifest content at all ? Why are not all images suppressed ? Why is not great poetry like the poetry of the extreme symbolists , a mere collection of words , meaning nothing , but words themselves full of affective association ? Why ...
Pagina 176
... manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of ... content . But the manifest content , whatever it is , is not the purpose of the poem . The purpose is the specific ...
... manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of ... content . But the manifest content , whatever it is , is not the purpose of the poem . The purpose is the specific ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words