A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 141
... material . Here , too , the writer retains a certain amount of inde- pendence , which can express itself in the choice of material and in changes in the material chosen , which are often considerable . As far as it goes , this material ...
... material . Here , too , the writer retains a certain amount of inde- pendence , which can express itself in the choice of material and in changes in the material chosen , which are often considerable . As far as it goes , this material ...
Pagina 230
... Materials 1. Purely sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of ...
... Materials 1. Purely sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of ...
Pagina 448
... material , and technique . The history of art was for it in the last re- sort a history of skill . The new view on the other hand regards the history of art as a history of artistic purpose , starting from the psychological ...
... material , and technique . The history of art was for it in the last re- sort a history of skill . The new view on the other hand regards the history of art as a history of artistic purpose , starting from the psychological ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words