A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 177
... matter vanishes in a logical but empty wave - system . Poetry restores life and value to matter , and puts back the genotype into the world from which it was banished . 85 • If we are asked the purpose of art , we can make an answer ...
... matter vanishes in a logical but empty wave - system . Poetry restores life and value to matter , and puts back the genotype into the world from which it was banished . 85 • If we are asked the purpose of art , we can make an answer ...
Pagina 191
... matter - that is , not considering the quality of the feelings it transmits . ... How in art are we to decide what is good and what is bad in subject - matter ? Art , like speech , is a means of communication and there- fore of progress ...
... matter - that is , not considering the quality of the feelings it transmits . ... How in art are we to decide what is good and what is bad in subject - matter ? Art , like speech , is a means of communication and there- fore of progress ...
Pagina 338
... Matter , subject , content , substance , determines nothing ; there is no subject with which poetry may not deal : the form , the treatment , is everything . Nay , more : not only is the matter indifferent , but it is the secret of Art ...
... Matter , subject , content , substance , determines nothing ; there is no subject with which poetry may not deal : the form , the treatment , is everything . Nay , more : not only is the matter indifferent , but it is the secret of Art ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words