A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 233
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descrip- tive " meaning . The distinction is between meaning used to evoke emotions and meaning used ...
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descrip- tive " meaning . The distinction is between meaning used to evoke emotions and meaning used ...
Pagina 351
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
Pagina 367
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words